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Weathers
Permitting
Louisiana State Univ. Press, 2005.
Buy
at Amazon.com
“Stephen
Sandy's lovely new book confirms his position among the important
poets of his generation and reveals once again the intense
clarity of his language at all levels.”—John Hollander |
|
Surface
Impressions, A Poem in Eight Parts
Baton Rouge & London: Louisiana State Univ. Press, 2002.
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at Amazon.com
“This
long poem summons up from a dozen scenes and climates the
most satisfying achievement of Stephen Sandy’s witty,
discerning, and flavored poetic sensibility.”—Peter
Davison |
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Black
Box
Baton
Rouge & London: Louisiana State University Press, 1999.
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at Amazon.com
“Black
Box retrieves all sorts of crucial data. Sandy's poems
have an infectious curiosity, a moral weight and witty balance.
They speak from and to the heart.”—J.D. McClatchy |
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The
Thread, New and Selected Poems
Baton
Rouge & London: Louisiana State University Press, 1998.
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at Amazon.com
“Sandy's
work just seems to me to be part of the wonderful music of
life.”—Alan Cheuse |
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Thanksgiving
Over the Water
New
York: Alfred A.Knopf, 1992; paper, 1994.
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at Amazon.com
“Sandy's work is almost always restrained, yet oddly
comforting....With an academic resignation Sandy mourns lost
and fading worlds....”—Library
Journal |
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Man
in the Open Air
New
York: Alfred A. Knopf, 1988.
Buy
at Alibris.com
“Stephen
Sandy has all the technical mastery and all the heart to write
a major poetry—a poetry that sounds like no other but
is as familiar as breath...Man in the Open Air is
his best book. It's remarkable and will remain so.”—Dave
Smith
|
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Riding
to Greylock
New
York: Alfred A. Knopf, 1983.
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at Amazon.com
“This
deft fusion of contemporary language, even technical terms,
with unabashed rhyme and alliteration results in stunning
lyric verse.”—Library Journal |
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The
Raveling of the Novel, Studies in Romantic Fiction from Walpole
to Scott
New
York: Arno Press, 1980.
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at Amazon.com |
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Roofs
Boston:
Houghton Mifflin Co., 1971.
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at Amazon.com
“Roofs
is a deeply moving, finely wrought volume of poems. In Sandy's
grave, brooding, highly individualized style, the sensibility
of our moment is held (precariously but finely) in an epiphanic
relation to the larger contexts of history and widely variant
imaginative traditions.”—Harold Bloom |
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Stresses
in the Peaceable Kingdom
Boston:
Houghton Mifflin Co., 1967.
Buy
at Alibris.com
“This
is a truthfully sensitive and strongly compassionate book.
People who read poetry will return to poems like 'The Ballad
of Mary Baldwin' and 'Her River' over and over again in years
ahead.”—William Alfred |
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Vale
of Academe, A Prose Poem for Bernard Malamud
(Pamphlet)
Spartanburg,
SC: Holocene, 1996.
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The
Hawthorne Effect
(Pamphlet)
Lawrence,
KS: Tansy Press, 1980. |
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The
Difficulty
(Pamphlet)
Providence,
RI: Burning Deck, 1975. |
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Japanese
Room
(Pamphlet)
Providence,
RI : Hellicoal Press, 1969. |
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The
Destruction of Bullfinch's House
(Pamphlet)
Cambridge,
MA : Identity, 1963. |
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Mary
Baldwin
(Pamphlet)
Dublin,
Ireland : Dolmen Press, 1962. |
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TIMEX:
Poems of Stephen Sandy, read by the poet
(Compact
disc. Music written and performed by Gokcen Ergene, Nadir
Naqvi, Vuk Mitevski, and Nicole Pope.)
Bennington,
VT : Dishwasher Studio, 2001. |
